About

Various artist statements:

Bio

I’m a wild knitter and crocheter.  I like to step outside typical design ideas and typical  textile ideas around knitting and crochet. I adore the way knitting and crochet provide satisfying outlets for anyone - young and old alike.

My work is inspired by the fabulous yarns that are available today - many of these yarns were not available to earlier generations.  Using very simple tools such as a single hook or two sticks I enjoy creating  textiles that express classic costume and fashion ideas with a contemporary flair. I use the colors and textures of yarns to create vibrant wearable textiles as well as household items like blankets, wash cloths and cushions. Loop by loop, stitch by stitch, the fabric is created to the exact desired size and shape. I prefer very simple shapes that show off the qualities of the yarns.

Lorre Smith

November 2022

September 2017

As a child I always gravitated towards art and craft, and my mother was a huge inspiration and also a good teacher.   I also was capable of learning a lot of skills from books.  So after doing a lot of childhood dabbling I began to do embroidery projects and calligraphy in my college years and essentially never stopped.

My most frequently - employed techniques in the fiber arts involve very low-technology tools such as knitting needles, crochet hooks, hand sewing needles and scissors. I design textiles that often consist of two to forty yarns and often go for the wildest possible look, combining both large and fine gauge materials and saturated colors.  I continue to explore the possibilities of simple tools with magnificent combinations of yarn while maintaining my chops by doing more "straight" or mainstream projects. 

I use patchwork and embroidery combined with hand sewing to create useful crafts and fine art.

I also create in mixed media, mostly on paper.  My calligraphy projects often end up as mail art.

2013

Artist Statement

Knitting is a hand looming technique that uses a strand of fiber and two sticks to form and intertwine loops in such a way that they create a stable and sometimes stretchy fabric. I knit all the items I produce without using assistants or apprentices. All the processes I use are manual processes or those that may use a very simple apparatus such as a yarn swift and a ball winder. The stitch by stitch nature of this process allows for fine control of the content and texture of the fabric. The yarns I use are from all over the world and include, silk, wool, cotton, linen, nylon, polyester, metallic fibers, viscose, tencel, acrylic, alpaca, acetate, mohair, cashmere and rayon. 

I knit in order to create beautiful textiles in ancient forms such as wraps and scarves.  I often seek a wide range of yarns, sometimes more than 30 or 40 to create one fabric.  The colors and surface design of each piece grow through a duly considered process of color and fiber selection and combination. In some pieces it is important to select a smooth yarn that will highlight the fabric pattern. In other pieces it is more desirable to use wildly different yarns with extraordinary texture created by yarn combinations rather than a fabric pattern. I am endlessly attracted to the combination of utility and beauty.

Bio: Lorre Smith

During an adolescence of artistic explorations with various media Lorre undertook private lessons in design from local artist Larry Banghart then progressed through various needle arts experiences in patchwork and quilting, embroidery, knitting, crochet, garment sewing and tailoring.  After several weeks of intense instruction in arts and creativity from Oakland, CA artist Alan Leon during 2004, hand looming proceeded to take center stage, with occasional forays into drawing, painting, mixed media, assemblage and collage arts and just about all other fiber arts. Ongoing influences include English needlewoman  Erica Wilson, English painter Kaffe Fasset, who has also explored fiber arts, Irish knitter and designer Maggie Jackson, and Alexander Calder, whose lesser known pieces include a series of fiber works. Her most recent knitting teacher is the English yarn and knitwear designer Louisa Harding.

She creates hand-loomed textiles using primitive tools: small sticks and hooks.  By creating interlocking loops and combining many yarns, she develops sophisticated fabrics.  Using primitive tools allows the most control over the way the yarns and threads fit together and the way the fiber colors blend or contrast with one another. She generally creates very simple shapes so that the textiles themselves are the fundamental essence of the art.  She also creates textiles that are not possible to create by machine. The texture of the fabric is as important as its visual design qualities. Textiles can evoke serious, sensual or whimsical moods, and each person brings out various elements of their personality and appearance when wearing them. The colors and surface design of each piece grow through a considered process of color and fiber selection, a determination of how delicate or bulky the textile will be then how each yarn will be incorporated into the fabric. In some pieces it is important to select a smooth yarn that will highlight the fabric pattern. In other pieces it is more desirable to use wildly different yarns with extraordinary texture created by yarn combinations rather than a fabric pattern.